Much is said and written about DNF's Christian hermeticism and her deep Christian beliefs but far less seems to be discussed about her views on paganism which have, in fact, had a profound impact on the modern pagan traditions that have been reimagined recent history.
There is no doubt that DNF believed that the pronouncement of Christ that ‘In my Father’s house there are many mansions' was a tenet that held great significance. Her strong belief that, as she declares in ‘The Sea Priestess’, ‘All the gods are one god and all the goddesses are one goddess and there is one initiator’ held true for the whole of her occult career. Her vast experience in both psychology and magic led her to hold a view, in harmony with my own, that the creator is like a diamond and each god or goddess is a different facet of that precious gem.
She held the strong belief that the old pagan mysteries, which came from a time when mankind was in much closer contact with the inner world - before the stresses and strains of the physical world overwhelmed the delicate balance of inner and outer - were well trodden ‘tracks in space’ which, if worked either in ritual form or by meditative methods, could be opened up once more and utilised in the the current phase of the Great Work. This can be clearly seen in her novels such as ‘The Sea Priestess’ and ‘The Goat Foot God’ which, as well as being a practical lesson in Qabbalistic methodology serve to promote the use of ancient pagan symbolism as a route to the inner planes. Further strong examples of her nod to the Old Gods, particularly the nature deities, can be found in her workings of the Rites of Isis and of Pan and also in the short story that forms a part of ‘The Secrets of Dr Taverner’ that is called ‘The Daughter of Pan’.
Since her work has had such a profound effect on modern paganism, it would be nice to see it more widely discussed.